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How a Music Company Made Some of the Year's Best Sports Ads | Adweek

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Headlines: Press: Ladies' Home Journal to Cease … TV: Sluggish Debuts for Bad Teache… Tech: New Ad Exchange Delivers Mobil… Ads & Brands: Maybach to Make Comeback—But…
How a Music Company Made Some of the Year's Best Sports Ads
Inside Beats by Dre's Cesc Fàbregas spot
By Tim Nudd
April 8, 2014, 7:23 AM EDT
Advertising & Branding
The crushing pressures of El Clásico
IDEA : People listen to music before playing sports to find rhythm, focus, inspiration. But elite athletes do so for more complicated reasons—not just to connect to positive influences, but to escape negative ones.
"As much as it's about their favorite songs, it's also about the noise they block out—from rival fans, other players, from the media," said Beats by Dre evp-marketing Omar Johnson.
With that in mind, Beats by Dre has advertised its premium pair of noise-cancelling headphones, Beats Studio Wireless, in three darkly compelling ads starring U.S. athletes Kevin Garnett, Colin Kaepernick and Richard Sherman—who escape external pressures by just slipping on the headphones, entering a world of stylized serenity.
Now, the fourth spot heads to Spain and an even more intense sports culture: the El Clásico rivalry between F.C. Barcelona and Real Madrid. The ad, starring Barcelona's Cesc Fàbregas, is a homecoming of sorts for the campaign (the original idea came from European soccer) and in some ways its riskiest spot yet.
"You see a lot of brands with an real insight, but they're afraid of putting it out there," said Johnson. "We're not afraid of that risk, if the message is authentic."

COPYWRITING : Against an overhead view of Madrid at dusk, a Spanish radio voice, subtitled in English, talks of "the match that will decide Spanish glory." Suddenly we're at street level, seeing Madrid fans prowl the street.
Fàbregas leaves his hotel and boards a bus, under police escort, watching intently as the crowds swell, their chants grow louder, and the tension seems poised to become violent. Indeed, one fan throws a red flare at the bus. But Fàbregas calmly slips on his Beats, as Aloe Blacc's "The Man" starts to play.
The spot shifts to slow motion, and the tension gives way to a heroic calm that carries the player all the way to the stadium, through a crowded tunnel and into a quiet locker room. The tagline, "Hear what you want" (a line Johnson said came directly from an athlete), appears on screen, followed by a product shot.
The ad's feeling of menace is real: Athletes often do feel under threat. "The most intense stories are the ones where it gets really close, where it almost feels like physical danger," Johnson said.
ART DIRECTION/FILMING : Director Max Malkin constructs a darkly chaotic vision. The whole campaign has been filmed with anamorphic lenses (which the brand can finally afford.) "It needed to be shot cinematically to bring you into the emotion of the athletes," said Johnson.
Malkin told Fàbregas to just be himself, Johnson recalled, telling him, "Think about the rivalry, think about those fans, think about the venom they spit at you."

TALENT : Garnett, Kaepernick, Sherman and Fàbregas were all chosen for their key roles in a momentous rivalry. Fàbregas grew up near Barcelona, and thus was perfect. "He has experienced El Clásico not only as a player but as a fan," Johnson explained.
SOUND : Johnson and Beats co-founder Jimmy Iovine usually consider five or six tracks for any spot. This time, there was no debate. Aloe Blacc's "The Man," used on all four ads, "was the first and only song we ever played with the picture," said Johnson. "The ads go to a dramatic place, and that song brings them back to the light."
MEDIA : The Fàbregas ad broke March 23 to coincide with the latest El Clásico match. Barcelona's president tried to get it banned, fearing it sent the wrong message about hooliganism, leading Beats to reply that the events in the ad are "purely fictional."
THE SPOT :

PREVIOUS SPOTS IN THE SERIES :



CREDITS
Client: Beats by Dre
Evp of Marketing: Omar Johnson
Spot: "Beats by Dre x Cesc Fabregas: Hear What You Want"
Agency: R/GA, London and Los Angeles
Executive Creative Director: Rodrigo Sobral, R/GA London
Head of Film Production: Kat Friis, R/GA LA
Senior Producer: Diego de la Maza, R/GA LA
Associate Creative Director: Dan Maxwell, R/GA LA
Associate Creative Director: Stuart Parkinson, R/GA LA
Jr. Copywriter: Tyree Harris, R/GA LA
Jr. Art Director: James Beke, R/GA LA
Production Company: Prettybird
Director: Max Malkin
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Topics:
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About the Author
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Tim Nudd
is Senior Editor (Creative) for Adweek.
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beats by dre color
IDEA : People listen to music before playing sports to find rhythm, focus, inspiration. But elite athletes do so for more complicated reasons—not just to connect to positive influences, but to escape negative ones.
beats by dre color
"As much as it's about their favorite songs, it's also about the noise they block out—from rival fans, other players, from the media," said Beats by Dre evp-marketing Omar Johnson.

With that in mind, Beats by Dre has advertised its premium pair of noise-cancelling headphones, Beats Studio Wireless, in three darkly compelling ads starring U.S. athletes Kevin Garnett, Colin Kaepernick and Richard Sherman—who escape external pressures by just slipping on the headphones, entering a world of stylized serenity.

Now, the fourth spot heads to Spain and an even more intense sports culture: the El Clásico rivalry between F.C. Barcelona and Real Madrid. The ad, starring Barcelona's Cesc Fàbregas, is a homecoming of sorts for the campaign (the original idea came from European soccer) and in some ways its riskiest spot yet.

"You see a lot of brands with an real insight, but they're afraid of putting it out there," said Johnson. "We're not afraid of that risk, if the message is authentic."



COPYWRITING : Against an overhead view of Madrid at dusk, a Spanish radio voice, subtitled in English, talks of "the match that will decide Spanish glory." Suddenly we're at street level, seeing Madrid fans prowl the street.

Fàbregas leaves his hotel and boards a bus, under police escort, watching intently as the crowds swell, their chants grow louder, and the tension seems poised to become violent. Indeed, one fan throws a red flare at the bus. But Fàbregas calmly slips on his Beats, as Aloe Blacc's "The Man" starts to play.

The spot shifts to slow motion, and the tension gives way to a heroic calm that carries the player all the way to the stadium, through a crowded tunnel and into a quiet locker room. The tagline, "Hear what you want" (a line Johnson said came directly from an athlete), appears on screen, followed by a product shot.

The ad's feeling of menace is real: Athletes often do feel under threat. "The most intense stories are the ones where it gets really close, where it almost feels like physical danger," Johnson said.

ART DIRECTION/FILMING : Director Max Malkin constructs a darkly chaotic vision. The whole campaign has been filmed with anamorphic lenses (which the brand can finally afford.) "It needed to be shot cinematically to bring you into the emotion of the athletes," said Johnson.

Malkin told Fàbregas to just be himself, Johnson recalled, telling him, "Think about the rivalry, think about those fans, think about the venom they spit at you."



TALENT : Garnett, Kaepernick, Sherman and Fàbregas were all chosen for their key roles in a momentous rivalry. Fàbregas grew up near Barcelona, and thus was perfect. "He has experienced El Clásico not only as a player but as a fan," Johnson explained.

SOUND : Johnson and Beats co-founder Jimmy Iovine usually consider five or six tracks for any spot. This time, there was no debate. Aloe Blacc's "The Man," used on all four ads, "was the first and only song we ever played with the picture," said Johnson. "The ads go to a dramatic place, and that song brings them back to the light."

MEDIA : The Fàbregas ad broke March 23 to coincide with the latest El Clásico match. Barcelona's president tried to get it banned, fearing it sent the wrong message about hooliganism, leading Beats to reply that the events in the ad are "purely fictional."

THE SPOT :



PREVIOUS SPOTS IN THE SERIES :







CREDITS
Client: Beats by Dre
Evp of Marketing: Omar Johnson
Spot: "Beats by Dre x Cesc Fabregas: Hear What You Want"
Agency: R/GA, London and Los Angeles
Executive Creative Director: Rodrigo Sobral, R/GA London
Head of Film Production: Kat Friis, R/GA LA
Senior Producer: Diego de la Maza, R/GA LA
Associate Creative Director: Dan Maxwell, R/GA LA
Associate Creative Director: Stuart Parkinson, R/GA LA
Jr. Copywriter: Tyree Harris, R/GA LA
Jr. Art Director: James Beke, R/GA LA
Production Company: Prettybird
Director: Max Malkin
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